A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic.
Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted “nature,” currents that would soon gather force to form modern science.
Natural Light deliberates on the era’s uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578–1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new “world system” of Galileo. His visual inventions influenced many famous artists—including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin.
Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome.
Although his life was tragically short, Elsheimer’s legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.
About the Author
Julian Bell is a writer and artist. He currently teaches at the Royal Drawing School, London, and writes about art for journals, including the Times Literary Supplement and London Review of Books. He is the author of several acclaimed books, including What Is Painting? and Mirror of the World: A New History of Art.
Engrossing... Elsheimer's works, little only in size, unlocked new possibilities for art at a time when contemporary astronomy unlocked the heavens... Mr. Bell’s incandescent prose offers a perfect verbal analogue for Elsheimer’s hushed intensity; it has a tactile, prehensile quality, as if the words had formed themselves in the writer’s mind and then taken on a life of their own before he found the time to stick them in a sentence. — Wall Street Journal
This study does discerning justice to [Adam Elsheimer's] achievement. Bell’s focus is not just on Elsheimer’s registering of natural details, as the title suggests, but also on his evocation of the supernatural—never richer than in his final masterpiece, The Flight Into Egypt, with its miraculous interfusing of homeliness and immensity.
— The New Yorker
A revelatory account of the German artist Adam Elsheimer, contextualizing his small oil-on-copper paintings within the intellectual and cultural milieu of Rome around the year 1600… Bell is much less interested in what would eventually emerge as science during the next 300 years than he is in new ways of seeing and depicting that emerged in the early 17th century… Combining life writing with close looking, Natural Light reads not like academic art history but rather like the extended essays of James Hall, Malcolm Bull, and Roberto Calasso.