From December 1st - 27th, online orders will be limited to books currently in stock at one or both of our locations, to ensure gifts are available for the holidays. To show in-store books when you search, use the "Sort Results" dropdown menu to select "In Stock." You can still preorder not-yet-released books, and online orders for everything else will resume after the holidays! If a really popular book is out of stock, just check back in a couple of days. Send any questions to email@example.com
A poignant and sly look at one woman's life, and how she turned herself into an object to be admired and protected. This novel is told through museum wall labels, and is one of the cleverest books I've ever read.
“This journey through a museum exhibit via wall tags provides insightful commentary on the way women are often sidelined as ornamental accessories, even in the story of their own lives. A wholly unique masterclass on economy in language.”
— David Vogel, Literati Bookstore, Ann Arbor, MI
A sly and stylish novel—remarkably told through museum wall labels—about a 20th-century woman who transforms herself from a precious object into an unforgettable protagonist.
Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum’s new British Galleries. During that time, she dreamt of using The Met’s strict label format to describe people as intricate works of art. The result is this bullet of a novel that imagines a privileged twentieth-century woman as an artifact—an object prized, collected, and critiqued. One Woman Show revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power.
Described with poignancy and humor over the course of a century, Kitty emerges as an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. As human foibles propel each delicately crafted text, Coulson’s playful reversal on our interaction with art ultimately questions who really gets to tell our stories.
About the Author
Christine Coulson spent twenty-five years writing for The Metropolitan Museum of Art and left as Senior Writer in 2019. Her debut novel about the museum, Metropolitan Stories, was a national bestseller and is followed by One Woman Show.
"A lovely, smart, fun, and very funny new novel . . . If you love art and museums as well as brilliant and fun novels, this is one for you. I read it in one sitting. . . . It’s a zinger.” —Airmail
“A jewel box of a novel . . . Coulson’s innovative form is the perfect vehicle for her wry commentary on the complexities of seeing and being seen. . . . She is gifted at conveying astute observations through small, often humorous details. . . . A pleasure to read.” —Kirkus Reviews
“Elegantly wrought . . . Carefully arranged within Coulson’s precisely pointed prose, even strictly rationed words can deliver an abundance of meaning. . . . Her lapidary, impeccably composed labels typically finish with a punchline.” —The New Criterion
“A highly original and imaginative work that captivates and intrigues. The book is so brief that it can be read straight through in an hour, but that is not to say it is slight. Kitty is a pinball that rebounds off the major historical events of the 20th century and this, as well as the inclusion of Kitty’s deeply personal struggles, results in a character of huge pathos and empathy. . . . Coulson’s unusual command of language rewards multiple readings. It is probably best summed up by her American publisher’s initial response to the manuscript—‘bananas brilliant.’” —The Irish Times
“Been waiting for this one!!!” —Sarah Jessica Parker, Instagram
“A delight! This novel’s formal audacity—a book told in fragments culled from a museum’s walls—is an impressive feat of imagination. One Woman Show is a moving story of privilege, womanhood, and the sweep of the twentieth century told through a single American life. I loved this book.” —Rumaan Alam, author of Leave the World Behind
“It’s a wonderfully clever concept, and a book that lends itself to being read in a single sitting, during which you’ll feel the corners of your lips curl upwards again and again. . . . Amid Coulson’s wry, often humorous, occasionally poignant commentary are moments of transgression and longing that show there’s more to our neoclassical heroine than her fine finish.” —The Spectator (UK)
“An extraordinary and deeply original way of telling a person’s story.” —BBC Wales (UK)
“Wildly original . . . A tiny but powerful novel . . . It’s sometimes snarky, sometimes sad, with enough poignant moments to make me wish it could go on and on. . . . You can sit down and read it in less time than it takes to drive to the art museum, but you’ll be thinking about it for far longer. If you appreciate truly original structure and storytelling, put this modern masterwork on your reading list.” —KMUW, Book Review with Suzanne Perez
“Singular and unique . . . We see a life lived through moments in time, captured in 75 words or less.” —Beth Golay, Marginalia