Frustrated by the limitations of cross-race communication in her predominantly white town, Laurel, a young African American girl, teaches herself to sign -- a skill she later imparts to her two daughters. This ability eventually leads Laurel to uproot her husband and daughters from their overeducated and underpaid life in the South End of Boston for the bucolic Massachusetts countryside, where the Freemans are to take part in an experiment.
Kaitlyn Greenidge received her MFA from Hunter College, where she studied with Nathan Englander and Peter Carey, and was Colson Whitehead's writing assistant as part of the Hertog Research Fellowship. Greenidge was the recipient of the Bernard Cohen Short Story Prize. She was a Bread Loaf scholar, a Lower Manhattan Cultural Council Workspace artist-in-residence, and a Johnson State College visiting emerging writer. Her work has appeared in the Believer, the Feminist Wire, At Length, Fortnight Journal, Green Mountains Review, Afrobeat Journal, the Tottenville Review, and American Short Fiction. Originally from Boston, she now lives in Brooklyn.